| Marc Schneiders on Sun, 3 Mar 2002 21:02:02 +0100 (CET) |
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| [Nettime-bold] Re: <nettime> Announcements [x10] |
Item 2, fyi. Sounds more interestting than ICANN, if I may say
so. Sorry.
On Sun, 3 Mar 2002, at 10:06 [=GMT-0500], Announcer wrote:
>
> Table of Contents:
>
> <textz.com> newsletter march 2002
> "textz.com" <textz@textz.com>
>
> job offer: professur medientheorie humboldt uni berlin
> Andreas Broeckmann <abroeck@transmediale.de>
>
> Short Film Festival g-niale - call for entries
> garage <info@garage-g.de>
>
> Call for Work/Papers -- Peace and Human Security Media Festival
> Nino Rodriguez <nino@pobox.com>
>
> Announcing the MFA in Integrated Media Arts
> Chuck Varga <valthoth@earthlink.net>
>
> anti-globalization rock
> John von Seggern <johnvon@digitalcutuplounge.com>
>
> engage via dialogue
> "megan rainey" <megan@va.com.au>
>
> DIAN Announcement for March
> DIAN <info@dian-network.com>
>
> Fwd: RV: Argentina: call for global day of action
> artactivism@gn.apc.org
>
> Jo-burg/RSA - The | PREMISES presents ubermorgen:: :
> net_CALLBOY <hans@ubermorgen.com>
>
>
>
> ------------------------------
>
> Date: Fri, 01 Mar 2002 18:00:00 +0100
> From: "textz.com" <textz@textz.com>
> Subject: <textz.com> newsletter march 2002
>
> ________________________________________________________________________________
>
> textz.com newsletter march 2002
> ________________________________________________________________________________
>
>
>
> hi all,
>
> this month, we are very glad to announce that we
> have released the first plain ascii version ever
> of bret easton ellis' 1991 novel american psycho
>
> http://textz.com/index.php3?text=american+psycho
>
> if anyone has a copy his 1999 novel glamorama on
> his or her hard drive, we would be very happy to
> get it. please attach and mailto:inbox@textz.com
>
> best regards,
> textz.com
>
>
>
> ----------------------------------------------------------------
> 10 of our most popular textz in february
> ----------------------------------------------------------------
>
> Douglas Adams: The Hitch Hiker's Guide to the Galaxy 1. ( 3.)
> http://textz.com/index.php3?text=adams+guide
>
> a.s.ambulanzen: deleuze.net not found 2. ( 1.)
> http://textz.com/index.php3?text=ambulanzen+deleuze
>
> Kathy Acker: The Language of the Body 3. ( 2.)
> http://textz.com/index.php3?text=acker+language
>
> William S. Burroughs: Naked Lunch 4. ( - )
> http://textz.com/index.php3?text=burroughs+lunch
>
> Michael Hardt / Antonio Negri: Empire 5. ( 6.)
> http://textz.com/index.php3?text=hardt+negri+empire
>
> Theodor W. Adorno: Culture Industry Reconsidered 6. ( - )
> http://textz.com/index.php3?text=culture+industry
>
> Neal Stephenson: Cryptonomicon 7. (10.)
> http://textz.com/index.php3?text=cryptonomicon
>
> David Lynch: Mulholland Drive 8. ( 4.)
> http://textz.com/index.php3?text=lynch+drive
>
> George Orwell: 1984 9. ( 8.)
> http://textz.com/index.php3?text=orwell+1984
>
> CIA: Psychological Operations in Guerrilla Warfare 10. ( - )
> http://textz.com/index.php3?text=agency+operations
>
>
>
> ----------------------------------------------------------------
> 10 of our most recent textz
> ----------------------------------------------------------------
>
> Michel Houellebecq: Extension du domaine de la lutte
> http://textz.com/index.php3?text=houellebecq+lutte
>
> Oscar Wilde: The Importance of Being Earnest
> http://textz.com/index.php3?text=wilde+earnest
>
> Alfred Hitchcock: Vertigo
> http://textz.com/index.php3?text=hitchcock+vertigo
>
> Jorge Luis Borges: La Biblioteca de Babel
> http://textz.com/index.php3?text=borges+biblioteca
>
> Sigmund Freud: The Interpretation of Dreams
> http://textz.com/index.php3?text=freud+dreams
>
> Umberto Eco: Foucault's Pendulum
> http://textz.com/index.php3?text=eco+pendulum
>
> D.A.F. de Sade: Les 120 journées de Sodome
> http://textz.com/index.php3?text=sade+sodome
>
> Abbie Hoffman: Steal This Book
> http://textz.com/index.php3?text=hoffman+book
>
> Luther Blissett: Q
> http://textz.com/index.php3?text=blissett+q
>
> Thomas Pynchon: V
> http://textz.com/index.php3?text=pynchon+v
>
>
>
> ----------------------------------------------------------------
> 10 of our largest textz
> ----------------------------------------------------------------
>
> Leo Tolstoy: War and Peace
> http://textz.com/index.php3?text=war+peace
>
> Alexandre Dumas: Vingt ans après
> http://textz.com/index.php3?text=dumas+vingt
>
> Rainald Goetz: Abfall für alle
> http://textz.com/index.php3?text=goetz+abfall
>
> James Joyce: Ulysses
> http://textz.com/index.php3?text=joyce+ulysses
>
> Charles Baudelaire: Curiosités esthétiques
> http://textz.com/index.php3?text=baudelaire+curiosites
>
> Kevin Kelly: Out of Control
> http://textz.com/index.php3?text=kelly+control
>
> Fyodor Dostoyevsky: The Idiot
> http://textz.com/index.php3?text=dostoyevsky+idiot
>
> Herman Melville: Moby Dick
> http://textz.com/index.php3?text=moby+dick
>
> Georg Wilhelm Friedrich Hegel: Phänomenologie des Geistes
> http://textz.com/index.php3?text=hegel+phaenomenologie
>
> Franz Kafka: Tagebücher
> http://textz.com/index.php3?text=kafka+tagebuecher
>
>
> ________________________________________________________________________________
>
> http://textz.com - we are the & in copy & paste
> ________________________________________________________________________________
>
>
> ------------------------------
>
> Date: Tue, 26 Feb 2002 16:03:57 +0200
> From: Andreas Broeckmann <abroeck@transmediale.de>
> Subject: job offer: professur medientheorie humboldt uni berlin
>
> (english version below)
>
>
> Für den an der Philosophischen Fakultät III zum WS 2002/03 zu eröffnenden
> Studiengang "Medienwissenschaft" ist eine
>
> C4-Professur für Medientheorien
>
> zu besetzen.
>
> Kennziffer: PR/002/02
>
> Der neue Magister-Studiengang "Medienwissenschaft" gehört zum Institut für
> Kultur- und Kunstwissenschaften. Das neu gegründete Seminar für
> Medienwissenschaft ist mit zwei Professuren (C3 und C4) ausgestattet und
> verfügt über eine umfangreiche technische Ausstattung (Video- und
> Computereinrichtungen, Videothek, Studiobühne, Bibliothek). Der Studiengang
> dient der umfassenden Ausbildung in Medienkompetenz unter den hochtechnischen
> Bedingungen gegenwärtiger Gesellschaften. Er wird durch medienspezifische
> Lehrveranstaltungen der benachbarten Fächer ergänzt. Die Verflechtungen der
> Medientheorien mit dem Prozess der historischen Ausdifferenzierung der
> analogen
> und digitalen Medien sind ebenso grundlegend wie die Kulturtechniken der
> Repräsentation (Bild, Schrift und Zahl).
>
> Der/die künftige Stelleninhaber/in soll in der Lage sein, die historischen und
> gegenwärtigen Medientheorien sowie mindestens zwei Medien umfassend in
> Forschung und Lehre zu vertreten. Vertrautheit mit der Technikgeschichte der
> Medien ist Voraussetzung. Der/die künftige Stelleninhaber/in soll in der Lage
> sein, die organisatorischen Grundlagen, die wissenschaftliche Profilierung,
> die
> Integration des neuen Faches im Kanon der an der Humboldt-Universität
> vertretenen Kultur- und Kunstwissenschaften und in der internationalen
> Forschung kreativ und engagiert zu entwickeln. Wissenschaftsorganisatorische
> Kompetenz und internationale Ausgewiesenheit wird erwartet.
>
>
> Die Bewerber/innen müssen die Anforderungen für die Berufung zum Professor/zur
> Professorin gemäß § 100 des Berliner Hochschulgesetzes erfüllen. Danach können
> unter bestimmten Voraussetzungen an die Stelle der Habilitation gleichwertige
> wissenschaftliche Leistungen treten.
>
> Die HU strebt eine Erhöhung des Anteils an Frauen in Forschung und Lehre an
> und
> bittet deshalb qualifizierte Wissenschaftlerinnen nachdrücklich, sich zu
> bewerben.
> Bewerbungen von Wissenschaftler/innen aus dem Ausland sind erwünscht.
> Schwerbehinderte werden bei gleicher Eignung bevorzugt berücksichtigt.
>
> Bewerbungen mit den üblichen Unterlagen (Lebenslauf, Zeugnisse,
> Schriftenverzeichnisse) sind bis zum 28.03.2002 unter Angabe der jeweiligen
> Kennziffer zu richten an die Humboldt-Universität zu Berlin, den Dekan der
> Philosophischen Fakultät III, Prof. Dr. Hartmut Böhme, Unter den Linden 6,
> 10999 Berlin.
>
> __________________________________________
>
> The Faculty of Arts III invites applications for a full professor of Media
> Theory (Bes.Gr. C 4) in its new Media Studies program.
>
> Code: PR/002/02
>
> The new undergraduate and graduate program in Media Studies is located within
> the Department of Cultural Studies and the Arts. The newly founded Seminar for
> Media Studies consists of two full professors (C3/C4) as well as technical
> capabilities (video and computer equipment, video library, studio stage,
> institute library). The course program will be supplemented with
> media-specific
> courses in neighboring disciplines. The program aims to provide comprehensive
> education in media competence for the highly technological conditions of
> modern
> society. Connections between media theory and the process of the historical
> divergence of analog and digital media are as fundamental as the cultural
> techniques of representation (pictures, letters, and numbers).
>
> The successful applicant should have an extensive research and teaching
> program
> in historical and modern media theory, as well as in at least two media forms.
> Familiarity with the history of technology is expected. The successful
> applicant should be committed to the development of the major and be able to
> make creative contributions to its organization and academic profile and to
> its
> integration into the Department of Cultural Studies and the Arts of the
> Humboldt University and international research.
>
> Administrative competence and an international reputation are expected.
> The Humboldt University follows a non-discrimination policy. Applications from
> women and persons with disabilities are especially encouraged.
>
> To apply, please send a letter of application and the usual documents to:
> Dekan
> der Philosophischen Fakultät III, Prof. Dr. Hartmut Böhme,
> Humboldt-Universität
> zu Berlin, Unter den Linden 6, 10099 Berlin, Germany
>
>
>
> ------------------------------
>
> Date: Wed, 27 Feb 2002 14:02:30 +0100
> From: garage <info@garage-g.de>
> Subject: Short Film Festival g-niale - call for entries
>
> german version below. sorry for any cross-postings.
> please feel free to forward.
>
>
> Call for Entries -----------------------------------------------------
> - ------------------------ 4th International Short Film Festival g-niale
> - ------------------------------------- August 2002 in Stralsund/Germany
> - ----------------------------------------------------------------------
> - ----------------------------------------------------------- playground
>
>
> The 4th international short film festival g-niale will run in August
> 2002 and is part of the garage festival in Stralsund. Organizers of
> the g-niale are garage and Filmclub Blendwerk e.V.
>
> play and earnest, rules and spoilsport, power play and play instinct,
> play within play, play with fire, role-playing and play on words.
> Wanted are films which examine the principles of play on a
> substantial or formal basis, films which are influenced by games or
> tell about playing.
>
> Students of film and art schools and professional filmmakers of all
> genres are invited to send their newly produced short films (max. 20
> minutes) to the festival. No restrictions apply to the genre of
> submitted works. The preselected films will be presented to an
> audience which, at the end of the festival, will choose the audience
> prize worth 250 EUR. Additionally, the three prizes of the jury worth
> 1.000 EUR in total will be awarded. Deadline will be June 3rd, 2002.
>
> entry forms and details available under:
>
> http://www.garage-g.de
> email: g-niale@garage-g.de
> tel: +49 (0)30 4412015
>
>
>
> Ausschreibung --------------------------------------------------------
> - -------------------------- 4. internationales Kurzfilmfestival g-niale
> - --------------------------------------------- August 2002 in Stralsund
> - ----------------------------------------------------------------------
> - ----------------------------------------------------------- playground
>
>
> Das 4. internationale Kurzfilmfestival g-niale findet im August 2002
> im Rahmen des Festivals garage in Stralsund statt. Veranstalter der
> g-niale sind garage und Filmclub Blendwerk e.V.
>
> Spiel und Ernst, Spielregeln und Spielverderber, Machtspiel und
> Spieltrieb, Spiel im Spiel, Spiel mit dem Feuer, Rollenspiel und
> Wortspiel. Gesucht sind Filme, die sich inhaltlich oder formal mit
> dem Prinzip des Spielens auseinandersetzen, Filme, die von Spielen
> beeinflusst sind oder über das Spielen erzählen.
>
> Studenten von Film- und Kunsthochschulen sowie Filmschaffende aller
> Sparten sind eingeladen, Kurzfilme neuerer Produktion bis max. 20 min
> Länge einzureichen. Beschränkungen hinsichtlich des Genres gibt es
> nicht. Die vorjurierten Arbeiten werden dem Publikum präsentiert,
> welches am Ende des Festivals über den mit 250 EUR dotierten
> Publikumspreis abstimmen wird. Die Jury vergibt drei Preise in Höhe
> von insgesamt 1000 EUR. Einsendeschluss ist der 3.Juni 2002.
>
>
> Anmeldeformular und Details unter:
>
> http://www.garage-g.de
> email: g-niale@garage-g.de
> tel: +49 (0)30 4412015
>
>
> ------------------------------
>
> Date: Wed, 27 Feb 2002 12:52:51 EST
> From: Nino Rodriguez <nino@pobox.com>
> Subject: Re: Call for Work/Papers -- Peace and Human Security Media Festival
>
> ..........
>
>
> I have recently joined the steering committee of an exciting new
> festival. Please see the call for submissions below and attached.
>
> Please forward to any and all media-makers and organizations that may be
> interested.
>
> Peace,
>
> - -Nino
>
> http://www.pobox.com/~nino/bio.html
>
> =====
>
> On 6-15 September 2002, the Center for Peace and Human
> Security will host a Peace and Human Security Media Festival to
> feature films, radio and television programs, photographs,
> paintings, drawings, sculpture, theatrical and other performances,
> print journalism, music, computer software, websites, prose, and
> poetry on the subject of or contributing to international peace and
> human security. Simultaneously, the Center will host an
> International Conference on Peace and Human Security Media.
>
> Within the broad theme of international peace and human security,
> CPHS is particularly interested in media that address the issues
> of conflict transformation, sustainable development, human rights,
> and international justice. In convening the Peace and Human
> Security Media Festival and the International Conference on Peace
> and Human Security Media, CPHS hopes to:
>
> * Showcase media that contribute to international peace and
> human security
>
> * Explore constructive ways for mediamakers to cover issues of
> peace and human security
>
> * Engage in dialogue about the role of mediamakers in the
> dynamics of war, peace, and insecurity
>
> * Encourage and facilitate collaboration between peace and
> human security practitioners and mediamakers
>
> * Nurture the development of peace and human security initiatives
> that engage mediamakers constructively
>
> At this time, the Center for Peace and Human Security is accepting
> submissions for the Peace and Human Security Media Festival.
> Submissions will be accepted until 31 May 2002. Please find
> attached the official entry form, a submissions checklist, and a list
> of festival rules and regulations
>
> CPHS is also calling for papers, panels, and posters for the International
> Conference on Peace and Human Security Media. Submissions will be accepted
> until 30 June 2002. Please find attached the call for papers and the
> official registration form.
>
> For more information, please contact the secretariat at:
>
> Center for Peace and Human Security
> Columbia University Station
> P.O. Box 250308
> New York, New York 10025
>
> Tel: (646) 342-0099
> Fax: (212) 281-9269
>
> E-mail: mediafestival@peaceandhumansecurity.org (Festival)
> or
> mediaconference@peaceandhumansecurity.org (Conference)
>
>
>
> ------------------------------
>
> Date: Thu, 28 Feb 2002 04:47:23 -0500
> From: Chuck Varga <valthoth@earthlink.net>
> Subject: Announcing the MFA in Integrated Media Arts
>
> February 14, 2002
> From: Hunter College President Jennifer J. Raab
>
> I am very pleased to announce that our new Master of Fine Arts Program
> in Integrated Media Arts: Advanced Studies in Nonfiction Media Making
> was approved by the CUNY Board of Trustees on January 28, 2002. We are
> optimistic about receiving approval from the New York State Education
> Department (SED) shortly.
>
> A truly innovative program, the MFA in Integrated Media Arts is designed
> to integrate advanced interactive media technologies with the expanding
> areas of nonfiction media, including news journalism, documentary,
> biography, commentary and criticism, to prepare students for positions
> of creative leadership in a wide range of contemporary media
> organizations. At the core of the program are production workshop
> courses in three creative clusters: WORDS (emphasizing journalism,
> script and treatment writing, and other forms of nonfiction media
> writing); VISIONS(emphasizing visual communication of stories, ideas and
> information); and CHANNELS (emphasizing designs for distributing and
> exhibiting media work, publicizing ideas and using media to enhance the
> quality of community interaction). Students will also participate in
> internships, interdisciplinary research and seminars focused on the
> interrelatedness of media and society.
>
> We anticipate that the new MFA in Integrated Media Arts will quickly
> become a premier program at Hunter, and its graduates will be highly
> sought after by the media industry in New York City and elsewhere.
>
> Applications are being accepted for Fall 2002 admission to the program.
> http://www.hunter.cuny.edu
> http://filmmedia.hunter.cuny.edu
>
> - --
> Andrea Polli
> Associate Professor
> Film and Media
> Hunter College
>
>
>
>
> ------------------------------
>
> Date: Fri, 01 Mar 2002 22:43:36 +0800
> From: John von Seggern <johnvon@digitalcutuplounge.com>
> Subject: anti-globalization rock
>
> Fun rock video satirizing globalization...this video certainly has more
> copyright violations per minute than anything else I've seen lately...
>
> http://www.starbuckscocacolagap.com/
>
> - --
> John von Seggern
> http://www.digitalcutuplounge.com
>
>
>
> ------------------------------
>
> Date: Sun, 03 Mar 2002 18:58:29 +1030
> From: "megan rainey" <megan@va.com.au>
> Subject: engage via dialogue
>
>
> A new thread has arrived on the CACSA dialogue board.
>
>
> P l e a s e E n g a g e !
> http://www.cacsa.org.au/dialogue/index_frames.html
>
>
> Elastic has provided a valuable space for discussion on contemporary visual
> arts over the last three days (Wed 27 Feb to Fri 1 March) at the Adelaide
> Symphony Orchestra Grainger Studio.
>
> The plenary session was titled 'BEYOND ELASTIC'. It was well documented and
> extensive notes are available from the cacsa dialogue board which poses
> questions and invites you to engage with and expand the debate.
>
>
> PLENARY SESSION > BEYOND ELASTIC
> Representatives from the Adelaide Festival 2002, Adelaide Fringe 2002,
> national public and private contemporary art spaces address the relationship
> between visual arts and festivals, and the future of artists week.
>
> CHAIR Cath Kenneally
>
> PANEL
> Gus Clutterbuck (Visual Arts Coordinator, Adelaide Fringe)
> Sarah Miller :(Director, PICA)
> Paul Greenaway (Greenaway Art Gallery)
> Angus Trumble (writer and critic)
> Amanda McDonald Crowley (Associate Director, 2002 Adelaide Festival)
>
>
> http://www.cacsa.org.au/dialogue/index_frames.html
>
> __
> apologies for any cross postings
>
>
>
>
>
>
> ------------------------------
>
> Date: Fri, 01 Mar 2002 01:02:18 +0100
> From: DIAN <info@dian-network.com>
> Subject: DIAN Announcement for March
>
>
>
> DIAN - Digital Interactive Artists' Network
>
> [Image]
>
> http://dian-network.com
>
> March:
>
> DIAN - Digital Interactive Artists' Network -
> Our focus for the month of March is BRIAN MACKERN. We proudly present
> his work:
>
> "content/no-content"
>
> http://dian-network.com/navigation.html
>
> Reflection-concept about content/no-content:
>
> A random gallery of preloaders that announces the data-loading of the
> site no-content.org. It is, simultaneously, an aesthetic investigation
> on the creation of reactive-interactive objects and random audio
> surroundings, within the boundaries of minimum bytes possible.
> ------------------------------------------------------------------------
>
> DIAN - Digital Interactive Artists´ Network - is a network for artists
> who are seriously involved in using Internet technology in the domain of
> contemporary art. We are deeply interested in artists working in this
> field.
> Artists working with the web, the net and related domains, please submit
> your work here:
>
> http://dian-network.com/information.html
>
>
>
> Visit DIAN and explore what can be done on the Internet.
>
> address: http://dian-network.com
> e-mail: info@dian-network.com
>
> to unsubscribe from this list send an email
> to unsubscribe@dian-network.com
>
>
>
> ------------------------------
>
> Date: Sat, 23 Feb 2002 15:17:26 +0000
> From: artactivism@gn.apc.org
> Subject: Fwd: RV: Argentina: call for global day of action
>
>
>
> - ----- Original Message -----
> From: Ezequiel Adamovsky
> To: intergalactika@inventati.org
> Sent: Friday, February 22, 2002 1:06 PM
> Subject: RE: Argentina: call for global day of action
>
>
> (English translation below)
>
>
> 24 de marzo
> Llamado a un Día de Acción Global
>
> Cacerolazo, piquete u otras acciones
> en solidaridad con el pueblo argentino y
> contra la dictadura de los mercados
>
> (Próximo Día de Acción Global: 20/4)
>
>
> El 24 de marzo de 1976 comenzó el golpe de estado que, tras asesinar a 30.000
> personas y detener y torturar a muchas más, logró imponer el programa
> neoliberal que el pueblo argentino resistía. Durante la dictadura, los
> militares contaron con el apoyo de las corporaciones financieras y las grandes
> empresas locales, y de créditos millonarios del FMI. Por ello, la última
> dictadura militar argentina es un símbolo de la dictadura global de los
> mercados.
>
> En la represión de la rebelión popular en Buenos Aires el 20 de diciembre de
> 2001, la policía asesinó a 7 personas en la Plaza de Mayo. El 20 de cada mes se
> recuerda ese evento en amplias manifestaciones en Argentina.
>
> En solidaridad con el pueblo argentino y contra la dictadura global de los
> mercados, se invita a los pueblos del mundo a realizar un cacerolazo, piquete u
> otras acciones globales el 24 de marzo de 2002 (y nuevamente el 20 de abril).
>
> ----------
>
> 24 March
> Call for a Global Day of Action
>
> Cacerolazo, Blockade or Other Actions
> in Solidarity with the People of Argentina
> & Against the Dictatorship of the Market
>
> (Next Global Day of Action: 20 April)
>
>
>
> The 24th of March 1976 the last military dictatorship in Argentina began. After
> the murdering of over 30.000 people (and the torture of many more) the
> dictatorship carried out a program of neo-liberal economic reforms, which the
> Argentinians resisted. During their unlawful rule, the military were supported
> by the IMFand the local and transnational financial corporations and big
> companies. Therefore, the dictatorship in Argentina is a symbol of the global
> dictatorship of the market.
>
> Almost twenty years after the end of the dictatorship, the people of Argentina
> are still resisting neo-liberal rule. In the repression of the last popular
> rebellion the 20th of December 2001 seven people were killed in Buenos Aires.
> The 20th day of each month this event is remembered in big demonstrations all
> over Argentina.
>
> In solidarity with the people of Argentina and against the dictatorship of the
> market, the people of the world are invited for a global day of action the 24th
> of March (and again the 20th of April). As a symbol of international
> solidarity, many groups all over the world will organise protests in the spirit
> of the two main methods of the Argentinian rebellion --the banging of pots and
> pans ("Cacerolazo") and the blockade of streets ("piquete")-- and other actions.
>
>
>
>
> ------------------------------
>
> Date: Tue, 26 Feb 2002 15:11:45 +0100
> From: net_CALLBOY <hans@ubermorgen.com>
> Subject: Jo-burg/RSA - The | PREMISES presents ubermorgen:: :
>
>
>
>
> FOR IMMEDIATE RELEASE
>
>
> The | PREMISES p r e s e n t s
>
> [f]originals
>
> [V]ote-auction digital legal art [f]originals <documents>
>
> An exclusive exhibition by ubermorgen:: : artist | company
>
> <http://www.ubermorgen.com/>ubermorgen.com
> "we make money!"
>
> (VIENNA/BERLIN/JOHANNESBURG)
>
> opening on March 8, 2002 at 18h00
>
> closing on March 23, 2002
>
> the exhibition will feature [f]original legal documents and products
> from various and ongoing digital legal activities by the ubermorgen
> group.
>
> about ubermorgen:: : artist | company
> The approach that ubermorgen:: : artist | company has taken is far
> removed from the traditional understanding of art practice,
> resembling acts of social net terrorism or radical corporate
> marketing strategy. Operating largely within the web environment, but
> not obeying normative approaches to performative public interventions
> or structured net art activity, ubermorgen applies the professional
> approaches of a corporation in marketing approaches and brand
> building, backed by the understanding of online communities and
> radical thinking to a range of projects that make an impact on large
> audiences (whether directly or indirectly) around the world. The
> byproducts of their digital legal art projects often exist in the
> form of printed documents as well as photocopies, thus making the
> distinction between originals and fakes very difficult. The
> exhibition [f]originals (fake - originals) evolves out of this
> process and focuses on the legal documentation resulting from
> www.vote-auction.net (initially www.vote-auction.com), where they
> offered United States voters the opportunity of selling their votes
> online during the last general election, which saw George W. Bush
> elected as president.
>
>
> Extract from 'the DAILY ubermorgen BRIEFING'
>
> brought to you by uberNEWSAGENCY;
>
> [[ubLZ:2002BSE2701am,live f/UNA_STUDIO st. moritz]] 27//01//2002
>
> [F]ORIGINALS AT "THE PREMISES" GALLERY / JHB/RSAJOHANNESBURG/JHB
> [<http://www.ubermorgen.com/SOUTHAFRICA/>RSA/republic of south africa
> <http://www.odci.gov/cia/publications/factbook/geos/sf.html>* ] /
> VIENNA/BERLIN, gallery "THE PREMISES" will show ubermorgen
> "[f]originals" in march 2002. this exclusive show will feature
> foriginal legal documents, products from various and ongoing legal
> activities by the ubermorgen group. this unique and exclusive show is
> curated by <mailto:m_n@mweb.co.za>marcus neustetter and financed by
> the ministry for energy and the justice department of the republic of
> south africa.
>
> *<http://www.odci.gov/cia/publications/factbook/geos/sf.html>south
> africa is member of the following international legal organisations:
> ACP, AfDB, BIS, C, CCC, ECA, FAO, G-77, IAEA, IBRD, ICAO, ICC, ICFTU,
> ICRM, IDA, IFAD, IFC, IFRCS, IHO, ILO, IMF, IMO, Inmarsat, Intelsat,
> Interpol, IOC, IOM, ISO, ITU, MONUC, NAM, NSG, OAU, OPCW, PCA, SACU,
> SADC, UN, UNCTAD, UNESCO, UNHCR, UNIDO, UNITAR, UNMEE, UPU, WCL,
> WFTU, WHO, WIPO, WMO, WToO, WTrO, ZC. Flag description: two equal
> width horizontal bands of red (top) and blue separated by a central
> green band which splits into a horizontal Y, the arms of which end at
> the corners of the hoist side; the Y embraces a black isosceles
> triangle from which the arms are separated by narrow yellow bands;
> the red and blue bands are separated from the green band and its arms
> by narrow white stripes. Airports - with unpaved runways: total: 599,
> Military - note: the National Defense Force continues to integrate
> former military, black homelands forces, and ex-opposition forces.
> Illicit drugs: transshipment center for heroin, hashish, marijuana,
> and possibly cocaine; cocaine consumption on the rise; world's
> largest market for illicit methaqualone, usually imported illegally
> from India through various east African countries; illicit
> cultivation of marijuana.
>
>
> Please see attachment for additional information. A full transcript
> of the CNN vote-auction.com interview can be downloaded at
> <http://www.cnn.com/TRANSCRIPTS/0010/24/bp.00.html>http://www.cnn.com/TRANSCRIPTS/0010/24/bp.00.html
>
> For more information, please contact Marcus Neustetter on 082 9291569
> or <mailto:mn@onair.co.za>mn@onair.co.za
>
> GALLERY HOURS:
> Tuesdays to Saturdays : 12.00 pm to 8.00 pm
>
> johannesburg civic theatre
> parking level 1
> 10 loveday street
> braamfontein
> johannesburg
> south africa
> tel : +27 11 403 3408 X 184 (Boy Bangala)
> email: <mailto:thepremises@onair.co.za>thepremises@onair.co.za / URL:
> <http://www.onair.co.za/thepremises>www.onair.co.za/thepremises
>
> If you don't wish to receive any more information from us, please
> email <mailto:thepremises@onair.co.za>thepremises@onair.co.za with
> UNSUBSCRIBE in the subject line.
>
> The | PREMISES apologizes for any cross-postings.
>
>
>
>
> - --
>
> net_CALLBOY hans_extrem brainhard ETOy.HANS;
> luzius a. bernhard, h_e, hans a. bernhard he
> hitme mailto:hans@ubermorgen.com icq38302022
>
> http://www.ubermorgen.com uberNEWSAGENCY_Pop
>
> http://www.designindaba.com CHECKdaTALKA;now
> http://www.dplanet.org re_LAUNCH!!!CHECK ITO
>
>
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>
> ------------------------------
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